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Group shows - Tara Gilbee http://taragilbee.com Artist - Educator Tue, 04 Feb 2025 03:57:47 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.15 Something Holding these Bodies In Kind 30:55 http://taragilbee.com/something-holding-these-bodies-in-kind-3055/?utm_source=rss&utm_medium=rss&utm_campaign=something-holding-these-bodies-in-kind-3055 Sat, 02 Sep 2023 23:41:00 +0000 http://taragilbee.com/?p=1496 Collective Polyphony Festival https://collectivepolyphony.com/in-kind-collective Something Holding these Bodies In-Kind (30:55) Artists: Sofi Basseghi • Corinna Berndt • Leila Gerges • Tara Gilbee • Marcela Gómez Escudero • Christine Fontana • Lucy Foster • Josephone Mead • Sarah Rudledge • Nina Sanadze • Tina Stefanou Curator: Sarah Rudledge “Something Holding these Bodies In-Kind (30:55)” allows for individual journeys to be drawn through the notion of an artist-collective. An artist-collective is defined as an initiative resulting from a group of artists working together, under their own management, towards shared aims. For this exhibition the artists will consider what current journeys they are on. Through a process of shared creative practice they will begin to dismantle the individuality of their own projects, finding threads of exchange with one another. The resulting work will simultaneously challenge the independence of their own work […]

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Collective Polyphony Festival

https://collectivepolyphony.com/in-kind-collective

Something Holding these Bodies In-Kind (30:55)

Artists: Sofi Basseghi • Corinna Berndt • Leila Gerges • Tara Gilbee • Marcela Gómez Escudero • Christine Fontana • Lucy Foster • Josephone Mead • Sarah Rudledge • Nina Sanadze • Tina Stefanou

Curator: Sarah Rudledge

“Something Holding these Bodies In-Kind (30:55)” allows for individual journeys to be drawn through the notion of an artist-collective. An artist-collective is defined as an initiative resulting from a group of artists working together, under their own management, towards shared aims. For this exhibition the artists will consider what current journeys they are on. Through a process of shared creative practice they will begin to dismantle the individuality of their own projects, finding threads of exchange with one another. The resulting work will simultaneously challenge the independence of their own work while considering what an artist-collective can be.

About In-kind Collective (est. 2023)

In-Kind Collective explores ways of making and sharing together — in kindness, through generous and generative exchanges. To ‘In-kind’ is an open invitation; to be attentive to new art kinships both materially and interpersonally, and to find ways to gently support each other’s artistic practices in the current social, political and economic climate.

Concurrently, through these practices of support and empowerment, we begin our work to reclaim notions of ‘in-kind’ in the arts, which is frequently understood as unpaid labour. We ask if giving and receiving—between artists, audiences and materials—can be a means to restore, care for and foster collectivity rather than deplete and exhaust the artist and her practice.

Stockroom Kyneton

98 Piper Street, Kyneton 

2 September – 1 October 2023

Opening Saturday, 2 September, 6–7.30pm

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Art School Confidential http://taragilbee.com/art-school-confidential/?utm_source=rss&utm_medium=rss&utm_campaign=art-school-confidential Thu, 29 Dec 2022 06:18:00 +0000 http://taragilbee.com/?p=1489 13 FEB 2023 – 5 APR 2023 Art School Confidential is an exhibition by current lecturers and teaching staff from Deakin University’s School of Communication and Creative Arts, featuring artworks they made whilst attending art school. Curated by James Lynch, the exhibition celebrates creative discoveries in all their forms and the importance of a creative education experience. Deakin University Gallery https://pgav.org.au/Art-School-Confidential~9595

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13 FEB 2023 – 5 APR 2023

Art School Confidential is an exhibition by current lecturers and teaching staff from Deakin University’s School of Communication and Creative Arts, featuring artworks they made whilst attending art school. Curated by James Lynch, the exhibition celebrates creative discoveries in all their forms and the importance of a creative education experience.

Deakin University Gallery

https://pgav.org.au/Art-School-Confidential~9595

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Blindside Exhibition http://taragilbee.com/blindside-exhibition/?utm_source=rss&utm_medium=rss&utm_campaign=blindside-exhibition Wed, 21 Sep 2016 02:54:11 +0000 http://taragilbee.com/?p=722 HERE IN THE UNDERGROWTH 5 – 22 OCT 2016 John Stephen Britten | James Farley + Jacob Raupach | Tara Gilbee | Ebony Gulliver | Matthew Harris | Claire Marston | Steph Shields | Ian Tully Here in the Undergrowth presents the work of 8 regional artists from Victoria and New South Wales whose practices are as diverse and varied as the regions from which they come. Traversing neon, sound, photography, installation and painting, this project highlights what has been lurking in the undergrowth, and opens up a discussion about the relationship between the arts communities of metropolitan and regional areas. Here in the Undergrowth grew out of the BLINDSIDE /NETS Victoria touring exhibition Synthetica, which toured to Swan Hill, Wangaratta, Gippsland, Wagga Wagga and Melbourne. At each location a local artist was included in […]

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Lumière Noire II

HERE IN THE UNDERGROWTH

5 – 22 OCT 2016

John Stephen Britten | James Farley + Jacob Raupach | Tara Gilbee | Ebony Gulliver | Matthew Harris | Claire Marston | Steph Shields | Ian Tully

Here in the Undergrowth presents the work of 8 regional artists from Victoria and New South Wales whose practices are as diverse and varied as the regions from which they come. Traversing neon, sound, photography, installation and painting, this project highlights what has been lurking in the undergrowth, and opens up a discussion about the relationship between the arts communities of metropolitan and regional areas.

Here in the Undergrowth grew out of the BLINDSIDE /NETS Victoria touring exhibition Synthetica, which toured to Swan Hill, Wangaratta, Gippsland, Wagga Wagga and Melbourne. At each location a local artist was included in the Synthetica exhibition, forming the first stage of Here in the Undergrowth. These artists, as well as more artists that were uncovered during regional research trips, will now present their work in the second stage of the project at BLINDSIDE.

Curator | Verity Hayward

Opening Night | Thursday 6 October, 6–8pm

Dates: Wednesday 5 October – Saturday 22 October 2016

http://www.blindside.org.au/portfolio-item/5-22-oct-2016-here-in-the-undergrowth/

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Fragmentos: Arte Contemporáneo Australiano – 2015 http://taragilbee.com/fragmentos-arte-contemporaneo-australiano-2015/?utm_source=rss&utm_medium=rss&utm_campaign=fragmentos-arte-contemporaneo-australiano-2015 Sun, 03 Apr 2016 13:56:05 +0000 http://taragilbee.com/?p=581 My poster work ‘Common Criminal’ featured as part of the photographic lab at Escuela Activa de Fotografía de Cuernavaca. Mexico (curators Daniel Armstrong and Ernesto Rios)

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Fragementos InviteMy poster work ‘Common Criminal’ featured as part of the photographic lab at Escuela Activa de Fotografía de Cuernavaca. Mexico (curators Daniel Armstrong and Ernesto Rios)

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Robe/s – Punctum Inc http://taragilbee.com/robes-punctum-inc/?utm_source=rss&utm_medium=rss&utm_campaign=robes-punctum-inc Sat, 02 May 2015 14:14:20 +0000 http://taragilbee.com/?p=565 April to October 2015 Central Victorian Goldfields It’s said that by 2020 we can anticipate that 2 billion people will be emigrating from their home country to another, seeking refuge or work. Many will walk this journey and in so doing softly shape landscapes that speak of their migration. But how do these landscapes speak to those crossing them? Are they places of estrangement or of strange belonging? In the 1850’s thousands of Cantonese labourers walked 500kms from the South Australian town of Robe to the Central Victorian Goldifelds where Punctum is based. Through an act of itinerancy across a migration landscape, fourteen artists will be  ‘performing’ a passage across any 34km section of their choosing in a reverse journey from the Central Goldfields towards Robe along the Robe to Goldfields track. Robe/S explores how landscape is shaped by […]

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April to October 2015
Central Victorian Goldfields

It’s said that by 2020 we can anticipate that 2 billion people will be emigrating from their home country to another, seeking refuge or work. Many will walk this journey and in so doing softly shape landscapes that speak of their migration. But how do these landscapes speak to those crossing them? Are they places of estrangement or of strange belonging? In the 1850’s thousands of Cantonese labourers walked 500kms from the South Australian town of Robe to the Central Victorian Goldifelds where Punctum is based.

Joyces Creek

Through an act of itinerancy across a migration landscape, fourteen artists will be  ‘performing’ a passage across any 34km section of their choosing in a reverse journey from the Central Goldfields towards Robe along the Robe to Goldfields track. Robe/S explores how landscape is shaped by migration and how landscape shapes our experience. It  hasculminated in an installation in Melbourne – October 2015 as part of the Performing Mobilities – Performace Studies International (Psi) forum ‘Fluid States’, ahead of extending to other countries.

http://www.performingmobilities.net/

PERFORMING MOBILITIES > a project of the Performing Mobilities Network >
the Australian program of PSi#21 > Fluid States: Performances of Unknowing > the Performance Studies international globally distributed performance research project taking place in a sequence of 15 different locations over 2015 > www.fluidstates.org >

> > > CURATOR > Mick Douglas > > > COMPANION CURATORS > David Cross > Paul Gazzola > Bianca Hester > James Oliver > Paul Rae > Laurene Vaughan > Meredith Rogers > Fiona Wilkie >

 

Concept, Artstic Direction Jude Anderson/Punctum

http://www.punctum.com.au/works/robes-2015

http://www.punctum.com.au/robe/s

http://www.punctum.com.au/tara-gilbee-newstead-maryborough

 

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Daisy Chain http://taragilbee.com/daisy-chain/?utm_source=rss&utm_medium=rss&utm_campaign=daisy-chain Sat, 02 May 2015 13:52:42 +0000 http://taragilbee.com/?p=554 March 13th-15th & 19th-21st – 2015 @ White Space Daisy Chain is a collective act of interference. Accomplished artists handover their works seeking modification by others. In a gesture of uncensored release, these intimate acts of alteration beg the question of how chain reactions of response affect artworks, intentions and public opinion. From a safe place to a new place this daisy chain of collective interference includes the work of Punctum associated artists: Gabriele Brauer, Lucy Brown, Tara Gilbee, Andrew Goodman, Alexandre Prado and Jessica Bridgfoot. http://www.punctum.com.au/works/daisy-chain My artworks TUMESCENT Digital print on paper and fixtures. 594mm x 841mm Original work by: Gabrielle Brauer  

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Daisy Chain 2015

Daisy Chain 2015

March 13th-15th & 19th-21st – 2015
@ White Space
Daisy Chain is a collective act of interference. Accomplished artists handover their works seeking modification by others. In a gesture of uncensored release, these intimate acts of alteration beg the question of how chain reactions of response affect artworks, intentions and public opinion. From a safe place to a new place this daisy chain of collective interference includes the work of Punctum associated artists: Gabriele Brauer, Lucy Brown, Tara Gilbee, Andrew Goodman, Alexandre Prado and Jessica Bridgfoot.

http://www.punctum.com.au/works/daisy-chain

My artworks

TUMESCENT

Digital print on paper and fixtures. 594mm x 841mm Original work by: Gabrielle Brauer

Tumescent I

Tumescent I

Tumescent II

Tumescent II

Tumescent IV

Tumescent IV

 

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Transcendental Exhibition – Galerie Pavlova : Berlin http://taragilbee.com/transcendental-exhibition-galerie-pavlova-berlin/?utm_source=rss&utm_medium=rss&utm_campaign=transcendental-exhibition-galerie-pavlova-berlin Sat, 02 May 2015 13:28:30 +0000 http://taragilbee.com/?p=542 Galerie Pavlova’s exhibition to mark the end of the European Summer and signalling the beginning of the Autumn Gallery Season. A special collection of work which challenges both the limits and expectations of the photographic medium. Transcendental, also meaning abstract or metaphysical, presents the works of the following five Australian photographic artists: Jacqueline Ball – http://www.jacquelineball.com/ Michael Corridore – http://www.michaelcorridore.net/ Isobel Parker Philip – http://isobelparkerphilip.com/ Kate Robertson – http://kate-robertson.com/ Tara Gilbee Transcendental – on display from Saturday 6th of September until Saturday the 1st of November 2015.

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Galerie Pavlova Berlin

The Mercurial Shadow II

Galerie Pavlova’s exhibition to mark the end of the European Summer and signalling the beginning of the Autumn Gallery Season. A special collection of work which challenges both the limits and expectations of the photographic medium.

Transcendental, also meaning abstract or metaphysical, presents the works of the following five Australian photographic artists:

Jacqueline Ball – http://www.jacquelineball.com/ Michael Corridore – http://www.michaelcorridore.net/ Isobel Parker Philip – http://isobelparkerphilip.com/ Kate Robertson – http://kate-robertson.com/ Tara Gilbee

Transcendental – on display from Saturday 6th of September until Saturday the 1st of November 2015.

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Frühlings Salon : Galerie Pavlova http://taragilbee.com/fruhlings-salon-galerie-pavlova/?utm_source=rss&utm_medium=rss&utm_campaign=fruhlings-salon-galerie-pavlova Sat, 26 Apr 2014 14:04:20 +0000 http://taragilbee.com/?p=59 Frühlings Salon at Galerie Pavlova 03. May until 21. June 2014 Vernissage 3rd May from 18:00 Coinciding with the 10th annual Berlin Gallery Weekend, the Frühlings Salon is a presentation of 20 different photographic artists from Australia & New Zealand. This is to give the art going public a preview of future exhibitions and an impression of the diversity we have to offer. The Frühlings Salon features the work of the following Australian & New Zealand photographic artists: Donna Bailey Jessie Boylan David Collins Michael Corridore Sharon Danzig Tara Gilbee Nadine Hattom Derek Henderson Alexander James Ingvar Kenne Bronek Kozka Becky Nunes Polixeni Papapetrou Isobel Parker Philip Clare Rae Jacob Raupach Talia Smith Anita Totha Lesley Turnbull Kylie Ruszczynski

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Cold light series VIII

Cold light series VIII

Frühlings Salon at Galerie Pavlova
03. May until 21. June 2014
Vernissage 3rd May from 18:00

Coinciding with the 10th annual Berlin Gallery Weekend, the Frühlings Salon is a presentation of 20 different photographic artists from Australia & New Zealand. This is to give the art going public a preview of future exhibitions and an impression of the diversity we have to offer.

The Frühlings Salon features the work of the following Australian & New Zealand photographic artists:

Donna Bailey
Jessie Boylan
David Collins
Michael Corridore
Sharon Danzig
Tara Gilbee
Nadine Hattom
Derek Henderson
Alexander James
Ingvar Kenne
Bronek Kozka
Becky Nunes
Polixeni Papapetrou
Isobel Parker Philip
Clare Rae
Jacob Raupach
Talia Smith
Anita Totha
Lesley Turnbull
Kylie Ruszczynski

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